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Knowing that the poorly-resourced paper would not beat its competitors on news, it turned its focus to features and, as people were watching television in ever-increasing numbers, centred its attention on the lives of actors both on and off-screen.

“The content of his papers shifted towards a fascination with the sex and love lives of the famous,” wrote Kim Mc Namara in Paparazzi: Media Practices and Celebrity Culture.

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p .main-container #login input[type=text], .main-container #login input[type=password] .main-container #login input[type=text] .main-container #login input[type=password] .main-container #login div .main-container .remember-forgot .main-container .main-container .main-container #login div label .main-container button .main-container #social .main-container #social span .main-container #social span.facebook .main-container #social span.google .main-container #social span.twitter .main-container #social span.yahoo .main-container .main-container .It caused a sensation — a good night’s work for the paparazzi pair.This was doubtless a scenario Diana experienced on a regular basis — until the moment, in a Paris underpass three years later, the pursuit would turn fatal.Including world famous names and brand new up and comers.It was 9pm on 3 March, 1994, and paparazzi photographers Mark Saunders and Glenn Harvey were sipping coffee in Kensington, west London.The speeding car carrying Diana away from the paparazzi crashed into a pillar, killing her and her then fiancee Dodi al-Fayed.

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